I thought I had found the perfect job: reception at a small construction and design firm, 24 hrs a week, and I could choose the hours, through an agency, so a temp employee for 3 months, and then on permanent staff with an accompanying raise in hourly rate. It all looked good. Nice people. Quiet location. Typical office work, sorting years worth of papers into files, updating addresses, Xeroxing, dealing with couriers, that sort of thing. Mostly mindless jo-job work that didn’t require thought only thoroughness and care. Leaving me free to explore the ideas ranging through my mind, free to consider what to write next, to think about my art, my kids, my life...

So I picked afternoons. I would go in from noon to 5 every day, except Friday, when it would be for 4 hours. Everyone seemed amenable.

But it was in an industrial area that is not serviced by buses except at rush hour. I hadn’t figured on the difficulty of getting there mid day into my plan. That hour and ten minute trip became more difficult as the weeks wore on. I got sick, too. There was the stress of catching a bus to get me to another bus that only ran every half hour; miss that bus on Marine Way and then I’m late getting into work.

So I went early every day and sat at what has to be the world’s worst bus stop. Oh, covered, yes, at least that, but not much use on rainy days when the splash coming from the trucks' enormous tires was worse than anything falling from the sky. And polluted and smelly. Huge trucks rumbling by without emission controls. And cold. I don’t know why that spot at Victoria and Marine Way is so cold, but it is. Sunless too. When I had bronchitis I could barely breath there; I would stand on the other side of the bus shelter, away from the fumes, trying to ingest whatever oxygen the hills of shrubs and trees were emitting. After the 5 minute bus ride, there was the 2.5 kilometer walk, down roads with more huge trucks careening, across that artery of pollution, Marine Way, again, where I sometimes feared for my life, literally-- those huge trucks and their crazy drivers crashing through the red pedestrian traffic light. Continuing on through a back road leading into the lot of a warehouse where boxcars were often stationed, being loaded or unloaded, and men looking at me in ways that didn't make me feel safe, especially with the private railroad land and thick bushes behind. And no matter how fast I walked, I was always 5 minutes late for work, something one of my bosses duly noted and held against me. I tried so hard to make it work, really I did.

The break-in did me in- I felt so helplessly far from my children due to the lack of bus service mid-day. And then last Thursday the Victoria Street bus broke down. I had to take the one behind it. And, as fast as I ran down the hill from Hastings to Marine Way, hurting my knees in the process, I saw my once-every-half-hour bus fly by. Drat. I was panting in the invisible but heavy pollution of that road and breathing hurt. I sat on the cold bench and waited, misery incarnate. A taxi – oh a solution to getting to the weary job on time, ran to the next road where he pulled in, jumped in, drove for maybe 4 minutes to Boundary Road, and the meter already said nearly $8.00 – and I wouldn't even make that much in the half hour I was trying to get to work for. I told the taxi driver to stop, to let me out, that I wasn't paying any more for the ride. And then I still had a hike to get to work, where I arrived 10 minutes late, and at the end of my tether.

I told my two bosses my tale of woe. And said that I cannot do the half day jaunt anymore, that the transit doesn't service this area, that I can only come in 3 full days a week. A bus comes into the area during rush hour. It takes me 35 minutes to get home. Over the period of a week, I would save 5 ½ hours of traveling time, a whole afternoon’s worth of time.

The next day I am told that I won’t be coming back, that they have called the agency and hired another woman to work half days.

And it was my painting, my painting that has sat for 2 months, untouched, and which I looked at that morning, wishing, wishing, and so I know it was my muse that cut this job short for me, because it just wasn’t working, I need whole days to paint, and, while I could have had that at the beginning of this job, when they were open to flex hours, they got too used to having me there every day, and wouldn’t consider any options other than the one I had originally created.

Anyway, I was just a nameless woman who was hired to make coffee, do dishes, take out the garbage, answer the phone, xerox blueprints, pack a pouch of invoices and timesheets off to head office once a week, clean up an awful filing mess, update a list with addresses 4 and 5 years old (SuperPages came to my aid), chase after tardy submissions of bids on construction projects, they even took away the little ceramic heater that kept me warm, and no-one knew that I wrote, or painted, or took photographs, or have the equivalent of 3 degrees (two BAs, but from a university that doesn't grant double BAs, an MA minus the language requirement, an A student...sigh & ho hum, plus the graduate degrees I didn't finish-withdrawing from a PhD program in my mid-20s, the fiascos with Graduate Interdisciplinary Studies in the intervening years, etc. ho hum), or that I was capable of so much more than they could ever possibly imagine.

Yes, I was bored. But we could buy groceries every week without worry.

Now I have to finish that painting. Not sleep from the stress of financial worry. And find another temp job for next week so we can eat the week after.

I won’t miss that truck heavy highway one bit.

______________________________

Dear Readers, I am usually not like this: Was I really pushed to my edge with this situation and was there there anything I could have done to make it work? Or am I simply PMSing?

Many thanks to those who left pure poetry behind in my last post on creative process at Xanga and here. I have read, and re-read your comments, each one like a jewel that opens out the entire universe of each of you.

My own comment in response to Toni Morrison's process has also grown, and I wonder if your articulations of your creative processes hasn't also wanted to become more detailed too...?

I am a napper. My idea of heaven on earth is an afternoon nap. Nothing could be finer. I cultivate nap time: have honed and honoured it. Oh, how I love that afternoon rest! Now that I work afternoons, well, there's after work, and there are still weekends! A napper not to be undone, I have turned the nap into an art.

It was a year or two back when I discovered the trick of writing while 'napping.'

What is a 'nap'? I rarely sleep. Usually I meditate first, this produces a much deeper and more satisfying nap. I sit against a small meditation chair that I place right on my bed facing the window. I recite a mantra over and over. This stills my mind. I fall into bliss emotionally.

As I go more deeply, I lie down, cover myself with a blanket, and let go. Everything spins and collides inward. I am acutely aware of the world around me. My body hums in stillness. There are no particular thoughts; the meditation has cleared them. I rest deeply, healingly. I fall in love again and again with the world. I forget that I have worries.

After 20 or 30 minutes, I re-emerge into the phenomenal world, my room, my dog perhaps lying nearby, thinking of what sort of treat I should have, usually it's cappuccino and chocolate.

When I am writing I 'nap,' but never disappear so fully, always being cognizant of the notebook on my lap. I drift in and out, scrawling words as quickly as I can write.

Toni Morrison says: "I always get up and make a cup of coffee while it is still dark-it must be dark—and then I drink the coffee and watch the light come... Writers all devise ways to approach that place where they expect to make the contact, where they become the conduit, or where they engage in this mysterious process. For me, light is the signal in the transition. It's not being in the light, it's being there before it arrives. It enables me, in some sense." From The Writer's Almanac, February 18, 2005.

My best writing occurs when I am just coming out of a meditative nap. A place where I let go of everything---discovered this being lulled in a hammock strung across my tiny studio. I like to be lying down, with a notebook and a pencil on my lap, or my tiny pocket pc, something private, that only I can see, and drifting dreamily in and out of stillness. It is in this deeply relaxed state that images begin adding their vitality to what I am writing about... It is in this quiet state of mind that my imagination has most freedom... And I have learnt to trust the flow of words, even if they don't 'pull together'; when I come back later, I find nuggets in the tumble of jewels that I can take out, polish and wear...


How about you...? What state of mind do you find best for your creativity and how do you evoke that...?

What's your ritual as a writer?

Trying to reconstruct notes from the Blogging Conference without the notes which froze on on my Pocket PC and disappeared when I did a soft reset...

My interests are in audio and video blogging, more to add the speaking and dancing of my poetry to the text than to portray my daily life in a running narrative.

As the only speaker I heard all day that referred to artists, his name? famous, I'm sure, though gone in my absent notes, whether he cares about artists or not was obfuscated in his talk, but he spoke about a very wealthy American man who does: Brewster Kahle, the founder of the presitgious Internet Archive, and the force behind the scanning of millions of books to become available to the public (Google is involved in this project too, I believe, but don't quote me!). Brewster Kahle has decided that artists don't have much money. Understatement!

So he is funding a site where filmakers, artists, videographers, musicians, poets, etc., will be able to post their work, and where it will be archived.

One of the problems is the cost of bandwidth and space. Audio and video files take up a lot of space. For the creative artist, space on this site will be free.

This site, and please correct me if I've got it wrong, is Open Media, the Global Home for Grassroots Media. The site should be fully operational later this year.

Another site recommended was Creative Commons. Here you can get your multi-media work published. Check it out.

I gotta run...

Wish I had them damn notes, she says, disappearing over the bandwidth (you know, the place where the sun rises and sets on the internet)...

What is the blogosphere? It's 31 million bloggers world-wide. That's alot of writing. That's a movement. That's a social force. That's an upholder of literacy. And we thought the written word was going to die with the ushering in of the audio-video age. Were we wrong!

Audio and video blogging are coming, though. And then we could expect a total explosion in the medium.

We live in an era of self-expression. And we create our own reality shows out of our own lives with no producers or television studios to oversee us. How money can be made out of us is another question.

There was one man at the blogging conference who makes a living from his blog. His name is Chris Pirillo. Today I finally gave in and went to his site. His writing is good, but simple - nothing too complex there. And there are GoogleAds, which is where he makes the major portion of his income. The more hits he gets, the larger his monthly paycheck. What I noticed most prominently, however, is that his site, to my untrained tastes, resembled a General Store. Many links, many products advertised, with him as the genteel owner behind the counter with whom you chat a bit, only, in this blogland, it's mostly him who does the chatting, for he gets few comments. But that's okay. His site has 12,000 visits a month and generates enough income for him to travel all over North America to conferences like the one he spoke at last Saturday in Vancouver.

In fact, most of the folks there, the presenters, seemed more focussed on numbers and income than they did on the quality of writing. One lone voice in the audience asked a question about the artist who blogs, and it wasn't answered with much sensitivity or depth.

Why I want to podcast (audioblog) is so that I can offer readings of my written poems. Why I want to videoblog is not so that I can bore you with tales of my life in poor light but because I would like to offer dance pieces where I perform my poetry.

Though blogging is a medium of disappearing posts, writing our lives disappears as quickly as we live them, I take my writing seriously, as most of us do, and my blog is where I experiment with different ways to write and post my efforts and receive invaluable feedback.

Blogging is one area in my life where I can creatively realize myself. It's also a place where I can offer support to other writers, and thus help them to foster the expression of their creativity too. What blogging has done for my writing is immense; but it's not just the writing and posting, it's the comments, the support of fellow writers, the community.

Which is why I love Xanga. In a sense, Xanga has created its own 'mini feed' in our subscriptions to each other; and by making commenting a 'members only' activity, fosters the possibility of a strong community of writers, I feel. For this I am grateful.

Yet I also feel a pull to be part of the larger blogging community. At my blogger site I went 'public' last night - it had been a private site. I added a site meter. And frankly, I don't know what it means that 30 people have visited, since there's not one comment. And where did they come from? Who are they?

One piece of advice that I would like to pass on, and from someone in the audience, is that if you want to build readership you just keep blogging, post frequently and, the guy said, in five years you'll be way ahead of where you are now...

Is that what serious writers do? Aren't we all serious writers here? Isn't this why we love our blogging site so much?

And the good news is that there is one major feed service that does recognize Xanga - Bloglines...though I tried to activate my account for about 3 weeks using different email addresses before contacting help, who activated it for me. At bloglines I can subscribe to people who blog at many different sites and read their most recent posts, as we do at Xanga.

One last question, HomerTheBrave in a comment on the mirror post of this one at my Xanga site wrote that Blogger/Blogspot is a publishing site; wheras Xanga is a blog site. Any comments?


Xanga and Blogger

How does it happen? I lost all of my notes and links from the Northernvoice blogging conference. My Pocket PC file went strange, and then dissipated into something unreadable.

Suffice to say, it was an interesting day. Here is a link that collects some of the links at the conference:
Resources/NorthernVoice05

Rushing down the road, slippery, sparkly ice pellets flattened underfoot, the sun that the camera records is not the sun that I see. The sun before me is rising, shining in the crisp morning air. This is the sun that wholly knows the world it illumines. This is the sun ushering the day into being. A sun bringing activity with it. The bustling world awakens before this sun. It is refreshing to see, but it signals the beginning of a long work day ahead. When I return in the evening, I shall whisper goodbye to that same sun on the other side of the sky, a sun which I never saw all day at my desk in the office where I currently work. Risking being late, I stop to take a picture.

I take a picture because I know the camera will see a glow of light, a brilliance that is white at the centre and radiates translucent rainbow hues until the landscape that we only see because of that light re-emerges around its edges. I know that the camera sees more innocently than I, who compose the scene I am walking through according to my perceptions, my memories of this path, these rocks, my destination ahead. The camera will compose the possibility of another story. The camera will see two paths converging, where I only see one.

Sometimes we need to take a picture of a scene to see what was really there.

Or at least another version of what was there.

I will remember the unusual and slippery coating of frosted ice. The camera will remember the magnificent light.

That light, as I look at the photo, connects me to a dream I once had, long ago, and so strongly it brings such longing with it...